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Zsa Zsa Gabor and her 190 SL Mercedes at the Beverly Hills Hotel 1958 - Sid Avery - © Mark Shaw /mptvimages.com

Zsa Zsa Gabor and her 190 SL Mercedes at the Beverly Hills Hotel 1958 - Sid Avery - © Mark Shaw /mptvimages.com

SIDA 11

AU$1,650.00 - AU$6,650.00

Product Description

Available in the following sizes, by order only:

Silver Gelatin Print

11” x 14”, edition of 100, $1650
16” x 20”, edition of 100, $2150
20” x 24”, edition of 100, $2550
30” x 30”, edition of 15, $4200
40” x 40”, edition of 10, $5000
48” x 48”, edition of 5, $6650

Please contact us on 02-8356 9999 or email store@beckerminty.com for more information.

SID AVERY (1918-2002, American)

Sid Avery, a Hollywood photographer was known for capturing the private moments of stars like Elizabeth Taylor, Rock Hudson, James Dean and Audrey Hepburn.

His work in the 1950's and 60's was a departure from the glamorized, soft-focus portraits of an earlier Hollywood era when images of the stars were tightly controlled by the major studios. He showed celebrities on the movie set between takes and away from the job, relaxing with the family or engaged in household chores.

Among his candid photographs are ones of Marlon Brando taking out the garbage, Rock Hudson emerging from the shower to take a phone call and Audrey Hepburn riding her bike at Paramount Studios with a shaggy Yorkshire terrier in the basket.

The established stars, used to the old system, were not easily convinced to let a photographer document them in their unvarnished private lives, but Avery succeeded where others failed—he managed to get in where no one else could—and he soon became the man magazine editors and art directors called on for their candid photo layouts. Avery’s most effective tool was not his technical skill as a photographer, but his personality. His friendly, unassuming style put his subjects at ease and made them open up.

Among Avery’s first odd jobs as a young man was that of taking glamour shots of the chorus girls at Earl Carroll’s Vanities and the Florentine Gardens. When drafted into the Army, Avery was assigned to the Signal Corps and selected to receive six months of training at LIFE in New York before being sent overseas. Stationed in London, he was placed in charge of the Army Pictorial Service Laboratory, where all the still and combat footage coming out of the European theater passed through his hands. When Avery returned to Hollywood after the war, he was ready for the photo journalism boom. Avery eventually became one of the top advertising photographers in Los Angeles, moving from still photography into directing television commercials and receiving numerous awards.

In the eighties, Avery redirected his energies toward preserving the history of Hollywood as depicted in still photography, founding the non-profit Hollywood Photographers Archive which was donated to the Los Angeles County Museum of Art and the Academy of Motion Picture Arts. Avery then rebuilt the collection which still thrives today, the Motion Picture and Television Photo Archive (mptv Images), representing over fifty of Hollywood’s best-known photographers. Avery’s photographs have been exhibited all over the world, from Australia to Japan to England and throughout Europe.